Granted there were both chariots and mentionings of war in this episode, but the title is a little strange. Misleading. This was an episode about family.
I’ve deliberately stayed away from this episode because according to my memory there was a love interest for Xena in this episode. For some reason I have a hard time accepting or appreciating those in the current timeline (with the exception of Marcus). It makes very little sense and it’s not because I am a lover of the subtext, for some reason I can accept a love interest for Gabrielle. With Xena…it just doesn’t feel right to me. Anyhow, as I was rewatching I kept my eyes open for the signs of a possible romance and love interest between Xena and the fair farmer Darius. The signs of romantic interest never did appear, until in the final scene which could be interpreted as him showing an interest in her staying on with them. No, I had gotten this all wrong, this was not about lover-boy of the week or Xena’s need to settle down. This was a story where Xena and the rest of the cast got to explore the concepts and importance of family.
The episode starts with Gabrielle telling a proto-soulmate type of story and Xena responds by expressing a belief in strength through solitude.
In contrast to the previous episode we now get to see a more human Xena who invests some emotion in the world around her. Physically the injury she receives forces some humanity on her, but also in her interactions with the little family. At the same time Xena does not see herself as part of any family (read the outside world), but she tentatively begins to make connections with it.
The story continues with Darius taking in the injured Xena and cares for her after she saves his son. An interesting parallel to the previous episode where the same actions gave her no sympathies from Herodotus. Her image and reputation is further established in this episode and peers of Mr Farmer pressure him into forcing her to leave. It becomes clear her reputation is just as difficult and painful to fight as the actual “evil”. Not only is she ostracised because of her past, but this episode sets up a scenario where warriors, as well as warlords, are not accepted by people in general. I’m looking forward to the following episodes to see if this attitude was something isolated to this episode, or if it can be felt throughout the season (and possibly series).
While Xena is getting a crash course in family life and deals with her intestines playing peek-a-boo, Gabrielle is left to her own devices and ends up cruising the bars. The fact that she is not an innocent is further re-affirmed when she has no problems dealing with the bartender or any unwanted attention. It is also made clear that she is aware of her appearance and others perception of her, by her making a reference to herself as innocent while talking to the drunken man in the bar. No one who is truly innocent will ever refer to themselves as such. No, this shows a good understanding of the world and how it works. Again I have to wonder where my perceived notion of her as innocent comes from.
After having made her advances on Sphaerus (better known as blue eyed soldier boy) the two end up having their own discussion regarding family. In which some important revelations are made about Gabrielle’s perceptions of a traditional family. They are discussing the duty one has to ones family and she tells the story of how despite her mother’s disappointment in her, she was not willing to “give up her future” through marriage and children. That she sees the possibilities of marriage and children as being incompatible with a future, tells a lot about this young blonde warrior wannabe. Not just about her view on her personal future, but also her belief that it is important to be able to stand up to everyone, family included. But it should be mentioned she is not completely against the idea of a family, she later in the episode tells Xena that she had begun to consider Sphaerus as her possible tree (family, children, marriage, commitement). Perhaps it was just a marriage with Perdicus that would lead to this lack of future?
At the same time Xena gets to taste the quiet life and throughout the episode she looks absolutely mesmerized by family and the concept of a life without violence. However this disbelief seems to be more of curiosity tainted by wistfulness than a true need or want for this type of life for herself. She mentions at the end of the episode that she had never considered the possibility of a family and that shows. It appears as if she doesn’t quite know what family is or how it works, and looking back at her history, knowing where the show would lead, that does make a lot of sense. Her father was killed at a young age and she left home possibly as early as 14-15. Her wide eyed stares of wonder feel very true to where her character was taken. I can also understand how I as a young punk missed the subtleties of her emotions in this episode and wrote Darius off as a silly love interest. I’ve decided that these more experienced eyes makes watching a lot more fun.
Once Xena meets up with Gabrielle she tries to make the youngster take cover while she deals with the warlords. Gabrielle simply would have none of that and clearly stated she wanted in on the “fun” (her word, not mine). There is nothing innocent about this spitfire and at the moment the pacifist period of season 4 seems incredibly foreign. However it should be pointed out that Xena did not appear to see the independent and capable young woman Gabrielle appears to have been at this early date, but rather saw her as, which she informed Darius, “depending on her”. Perhaps I picked up on Xena’s perceptions of Gabrielle during my first watch?
The chariot racing scene in this was impressive to watch. The speed, the elegance, not to mention the actual dangers that must have been involved for the stunt people. It truly was spectacular to watch.
Subtext
Subtext is what you make of it, but I will point out a few things I made out (there might be others, but these were what interested me). Lets begin with the first boy toy’s (Sphaerus) physical appearance. In a bar full of people Gabrielle, without hesitation, goes for the dark haired, blue eyed warrior with the square shoulders and the brooding expression. Feel free to connect the dots.
The little half smile/smirk on Xena’s face as she meets up with Gabrielle is another thing that can be filled with meaning, if you are so inclined.
And of the more stretching, horribly, horribly overanalyzed type of subtext. At the end of the episode Xena has a discussion with Darius that goes like this;
Darius: "I hope you find your happiness."
Xena: "I did. I just have to leave it for a while.”
Xena: "I did. I just have to leave it for a while.”
As the two main characters continue on their journey Gabrielle states that she does miss her family, but not as much when she is with Xena.
Conclusion
All about family.
Xena felt confused and curious throughout the episode. At the same time she was followed by physical weakness and pain. We saw a glimmer of a sense of humour as a severely injured Xena couldn’t help scaring the children for her own amusement (Boo!). All in all (don’t you just love that expression?!) this was a lot weaker and softer Xena than what we saw in the previous episode. But that is a good thing, because it feels as if this Xena actually have something to lose. She is conflicted (instead of a shell) and therefore a lot more interesting to watch. Gabrielle continues to show that she is far from innocent, she deals with unwanted attention by jumping into a guy’s lap and planting a big one on him. To paraphrase the God of War, I think that says a lot about her, don’t you?! In addition she expresses a wish to be apart of the violence.
Despite supporting characters showing depth and relevance to the development of our heroes, for Xena in particular, they are not nearly as interesting to watch as Draco was. The story is okay and a good way of providing Xena with some flaws and a more human side. Not my favourite episode, but I was pleasantly surprised and I really did get a kick out of the chariot scene.
Randomness & Memorable
- I could have sworn Sarita grew up to be Hope in Maternal Instincts, the resemblance is uncanny.
- “It will take more than an arrow to get rid off me” -- Yes, add a beheading and she’s set for departure. Someone should have taught her not to jinx things.
- Gabrielle’s little laugh after she smooched her lover boy. I’m telling you, she’s a vixen!
- First use of ‘best friend’, Gabrielle when referring to Xena.
- We get to know why she ends up wearing the same costume for 6 season “Well, I don’t have anything else.”
- The silent moment of stop as she rips the dress before continuing fighting.
- “You call that a jump?”
“No, it was a frantic leap.”
Next up:
The Witch (BtVS)
The Witch (BtVS)
3 comments:
You are totally giving me a different view point of Baby Gab.
And making me want to pop my dvd in and watch - which considering I need to sleep soon, isn't so great. :D
This is an interesting idea, but I think your premise is shaky at best.
Why would you ever compare BtVS and XWP? Simply because the title characters are female? That seems rather shallow to me.
If you want to compare two shows with characters who did not choose their destiny, who were born to handle supernatural abilities, who rarely if ever strayed from the right path, and who championed the underdogs from day one, you should be comparing Buffy with Hercules. They battle the preexisting evil around them because someone has to.
Likewise, if you want to compare two shows with characters who have strayed from their paths, who seek redemption for their pasts, who wish to brood alone, who yearn for personal reflection while they slowly reclaim their humanity (and who were inspired by the purer heroes from the shows they spun off from), you really should be comparing Xena with Angel. They battle the evil they created, knowing they can never be fully innocent again.
The very idea of comparing Buffy and Xena simply because they have female-led casts is a blow to the idea of "female empowerment." Avoid the awkward comparisons created by comparing a hero with an anti-hero and place these shows where they belong: on equal footing with male-led shows with similar premises.
Women will never play in the same tournament as men if they keep using handicaps like this. Also, I personally like both shows for completely different reasons, and I'm sure you do too. Why would you sabotage those passions by throwing them into an artificial arena?
Sorry for the rant; Just my two cents.
You (as in you above) do make a good point and in addition XWP and Angel the series would have been a better match to compare both character and storywise, but despite the somewhat misleading title of the blog it's not about comparing the two as much as it is experiencing the two again. I'm doing a re-watch in order to see what exactly these two shows were about.
The comparison comes through the way in which they've effected popular culture and Western Society particularly in the display of gender roles, and the other way around. These aren't just any two shows with a female lead, these are two shows who's female heroes have become iconic through a perceived notion of female empowerment. And as I mentioned in the original "pre-re-watch" post, that's what I want to compare. I want to look at both shows again, as separate units, for no other reason that I love them both and want to experience them again. Once that is over I want to see if the label of "female empowerment" is justifiable to either one of the shows. Furthermore I want to compare the type of messages the different shows give us about gender roles, masculinity vs. femininity and sexuality -- and that's where the vs. comes into play.
Yay, to dahl (I like calling you that so...:D). I've got one wanting to re-watch BtVS and now one down for XWP. I am might pleased :D
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